Contemporary Natural
Relating the heritage & incorporating modernness.

The design draws from the language of ruins and resurrection. Inspired by the concept of Contemporary Natural, the building honors the raw- ness of ancient masonry while inserting a bold, precise contemporary volume within- much like nature reclaiming what time has left behind, and modernity finding its place within that story.

The façade is defined by exposed red brick - textured, warm, and deeply human - punctuated by signature arched openings that refer- ence vernacular Indian architecture. Rising from this earthy base, a glazed steel structure crowns the building, flooding the upper levels with light and asserting a crisp, modern identity.

The interplay between the two is deliberate: heritage as foundation, modernness as aspiration.

Spanning 24,000 sq.ft., the building houses both a curated showroom experience and fully functional office spaces. The showroom is de- signed as a journey - a layered progression through space where the ceramics are not merely displayed, but contextualized within an archi- tectural environment that mirrors their character: considered, endur- ing, and quietly beautiful.

Completed and standing today in Okhla, the Feather Touch project is a testament to architecture that listens - to the brand it represents, to the city it inhabits, and to the materials it is built from.

Circles of Life - nature organized around gathering, movement, and stillness, radiating outward like ripples on still water

The master plan is governed by a radial geometry - concentric circles and curving pathways that draw the eye inward toward water and outward toward canopy. At the centre lies a reflective water body, a quiet anchor to the entire composition. Around it, tiered planting beds, meandering walkways, and soft lawns unfold in rings - each zone calibrated for a different rhythm of life: active, social, contemplative.

The palette is rich and deliberately layered. Fiery gulmohar and orange-flowering trees punctuate the greenery with seasonal colour, while tall palms create vertical drama against the Gujarat sky. Ground-level planting softens every edge, ensuring the landscape feels curated but never rigid - alive, not manicured.

The aerial view reveals the true ambition of the design: a landscape that is not a leftover between buildings, but the very heart of the community. Streets lined with trees, circular focal plazas, and a continuous green thread weaving through the residential blocks - together, they transform an ordinary society compound into a place people will actually want to be.

Lit from Within - a home whose grandeur is not proclaimed in daylight alone, but revealed most fully at dusk, when warm light spills through arched glass and every cornice becomes a crown..

The façade is anchored by a soaring double-height arched window at the centre - a bold classical gesture that draws the eye upward and floods the internal spaces with light. Flanking this are symmetrically arranged balconies with slender black railings, their clean geometry setting a counterpoint to the softness of the cream stucco finish. Stepped pilasters, deep cornices, and a restrained use of classical moulding give the elevation a sense of weight and ceremony without veering into excess.

The entrance is designed as an arrival experience. A broad staircase rises to a columned porch, framed by warm amber uplighting that transforms the approach at evening into something almost theatrical. Twin wall lanterns and carefully placed facade lighting ensure the home presents itself with equal dignity by day and by night.

Chandigarh, a city built on the ideals of order, light, and modernity, provides a fitting context for a home that shares those values while honouring the warmth of a private family dwelling. The Residence is currently under construction - a home being built not just to impress, but to endure and to be loved.

The Breathing House - a home whose white walls recede so that greenery may come forward, where each balcony is a garden and every floor is another layer of life.

The façade is composed as a dialogue between two distinct architectural voices. On the left, a bold vertical screen of dark charcoal louvers rises the full height of the building - graphic, precise, and unapologetically contemporary. On the right, arched openings stacked across three floors recall a softer, more classical sensibility. Between and above both, nature has the final word: lush trailing plants cascade from rooftop planters, bougainvillea blooms at street level, and every balcony is dense with green.

The interplay of crisp white plaster, dark louvred fins, and abundant planting gives the home a layered depth that changes with the hour and the season. In the morning, light filters through the louvers in long, raking lines. By evening, the arched balconies glow warmly from within, framed by foliage. The house is never static - it is a living elevation.

Designed for Dr. Couple, the home reflects a sensibility that values calm, nature, and considered beauty over display. Currently under construction, the Residence is set to become one of the more distinctive addresses on its street - a home that earns its presence not through scale, but through the intelligence and care of its design.

Dark Stone, Warm Timber - a house of deliberate contrasts: the cool weight of grey stone against the living warmth of vertical teak, the precision of flat rooflines against the wildness of tropical planting, the privacy of a closed gate against the generosity of a garden designed to be seen.

The façade is composed around two materials that do not compromise with each other: large-format grey stone cladding - textured, cool, and resolute - and vertical timber fins that run the full height of the building in warm honey tones. The contrast is not decorative. It is structural to the identity of the house. The stone grounds it; the timber humanizes it. Together they create a building that feels at once monumental and inhabitable

The roofline is flat and emphatic - a clean dark fascia that cuts across the sky and gives the house its horizontal, grounded silhouette.

The garden is the third material. Designed with the same rigor as the architecture, the front court is a composition of dark stone paving, trimmed box hedging, tropical palms, tree ferns, and layered ground planting in every shade of green. It does not frame the house so much as complete it - the domesticated and the wild, held in careful balance.

Sainik Farms has long been a canvas for Delhi's finest private homes. The Farmhouse earns its place in that tradition by doing something quietly difficult: it is a house of strong character that never overstates itself. It is precise without being cold, luxurious without being loud, and deeply personal without being private to the eye. It is, simply, an exceptionally well-made home.

The heart of the home,designed with purpose

Of all the spaces in a home, the kitchen demands the most of its designer. It must be beautiful and functional, effortless to use and a pleasure to be in, designed for the way a family actually lives - not just the way a room is meant to look. At Plan Homes, we treat the kitchen not as a fitment to be specified, but as the most consequential room in the house.

The roofline is flat and emphatic - a clean dark fascia that cuts across the sky and gives the house its horizontal, grounded silhouette.

What they share is a refusal to treat aesthetics and practicality as opposing values. The most beautiful kitchen is the one that works best for the people inside it. Form and function, in our work, are the same conversation.

What they share is a refusal to treat aesthetics and practicality as opposing values. The most beautiful kitchen is the one that works best for the people inside it. Form and function, in our work, are the same conversation.

Where we are most particular - and where clients most often tell us they feel the difference - is in the execution. A kitchen design is only as good as the millimeter precision of its joinery, the flatness of its shutters, the smoothness of its drawer mechanisms, the concealment of its wiring, and the calibration of its lighting. These are not finishing touches. They are the substance of the design itself. We are present on site through every stage of kitchen installation - because we know that a kitchen built carelessly, however beautifully conceived, will be felt every single day.