Contemporary Natural
Relating the heritage & incorporating modernness.

The design draws from the language of ruins and resurrection. Inspired by the concept of Contemporary Natural, the building honors the raw- ness of ancient masonry while inserting a bold, precise contemporary volume within- much like nature reclaiming what time has left behind, and modernity finding its place within that story.

The façade is defined by exposed red brick - textured, warm, and deeply human - punctuated by signature arched openings that refer- ence vernacular Indian architecture. Rising from this earthy base, a glazed steel structure crowns the building, flooding the upper levels with light and asserting a crisp, modern identity.

The interplay between the two is deliberate: heritage as foundation, modernness as aspiration.

Spanning 24,000 sq.ft., the building houses both a curated showroom experience and fully functional office spaces. The showroom is de- signed as a journey - a layered progression through space where the ceramics are not merely displayed, but contextualized within an archi- tectural environment that mirrors their character: considered, endur- ing, and quietly beautiful.

Completed and standing today in Okhla, the Feather Touch project is a testament to architecture that listens - to the brand it represents, to the city it inhabits, and to the materials it is built from.

Circles of Life - nature organized around gathering, movement, and stillness, radiating outward like ripples on still water

The master plan is governed by a radial geometry - concentric circles and curving pathways that draw the eye inward toward water and outward toward canopy. At the centre lies a reflective water body, a quiet anchor to the entire composition. Around it, tiered planting beds, meandering walkways, and soft lawns unfold in rings - each zone calibrated for a different rhythm of life: active, social, contemplative.

The palette is rich and deliberately layered. Fiery gulmohar and orange-flowering trees punctuate the greenery with seasonal colour, while tall palms create vertical drama against the Gujarat sky. Ground-level planting softens every edge, ensuring the landscape feels curated but never rigid - alive, not manicured.

The aerial view reveals the true ambition of the design: a landscape that is not a leftover between buildings, but the very heart of the community. Streets lined with trees, circular focal plazas, and a continuous green thread weaving through the residential blocks - together, they transform an ordinary society compound into a place people will actually want to be.

Lit from Within - a home whose grandeur is not proclaimed in daylight alone, but revealed most fully at dusk, when warm light spills through arched glass and every cornice becomes a crown.

The façade is anchored by a soaring double-height arched window at the centre - a bold classical gesture that draws the eye upward and floods the internal spaces with light. Flanking this are symmetrically arranged balconies with slender black railings, their clean geometry setting a counterpoint to the softness of the cream stucco finish. Stepped pilasters, deep cornices, and a restrained use of classical moulding give the elevation a sense of weight and ceremony without veering into excess.

The entrance is designed as an arrival experience. A broad staircase rises to a columned porch, framed by warm amber uplighting that transforms the approach at evening into something almost theatrical. Twin wall lanterns and carefully placed facade lighting ensure the home presents itself with equal dignity by day and by night.

Chandigarh, a city built on the ideals of order, light, and modernity, provides a fitting context for a home that shares those values while honouring the warmth of a private family dwelling. The Residence is currently under construction - a home being built not just to impress, but to endure and to be loved.

The Breathing House - a home whose white walls recede so that greenery may come forward, where each balcony is a garden and every floor is another layer of life.

The façade is composed as a dialogue between two distinct architectural voices. On the left, a bold vertical screen of dark charcoal louvers rises the full height of the building - graphic, precise, and unapologetically contemporary. On the right, arched openings stacked across three floors recall a softer, more classical sensibility. Between and above both, nature has the final word: lush trailing plants cascade from rooftop planters, bougainvillea blooms at street level, and every balcony is dense with green.

The interplay of crisp white plaster, dark louvred fins, and abundant planting gives the home a layered depth that changes with the hour and the season. In the morning, light filters through the louvers in long, raking lines. By evening, the arched balconies glow warmly from within, framed by foliage. The house is never static - it is a living elevation.

Designed for Dr. Couple, the home reflects a sensibility that values calm, nature, and considered beauty over display. Currently under construction, the Residence is set to become one of the more distinctive addresses on its street - a home that earns its presence not through scale, but through the intelligence and care of its design.

Dark Stone, Warm Timber - a house of deliberate contrasts: the cool weight of grey stone against the living warmth of vertical teak, the precision of flat rooflines against the wildness of tropical planting, the privacy of a closed gate against the generosity of a garden designed to be seen.

The façade is composed around two materials that do not compromise with each other: large-format grey stone cladding - textured, cool, and resolute - and vertical timber fins that run the full height of the building in warm honey tones. The contrast is not decorative. It is structural to the identity of the house. The stone grounds it; the timber humanizes it. Together they create a building that feels at once monumental and inhabitable

The roofline is flat and emphatic - a clean dark fascia that cuts across the sky and gives the house its horizontal, grounded silhouette.

The garden is the third material. Designed with the same rigor as the architecture, the front court is a composition of dark stone paving, trimmed box hedging, tropical palms, tree ferns, and layered ground planting in every shade of green. It does not frame the house so much as complete it - the domesticated and the wild, held in careful balance.

Sainik Farms has long been a canvas for Delhi's finest private homes. The Farmhouse earns its place in that tradition by doing something quietly difficult: it is a house of strong character that never overstates itself. It is precise without being cold, luxurious without being loud, and deeply personal without being private to the eye. It is, simply, an exceptionally well-made home.

The heart of the home,designed with purpose

Of all the spaces in a home, the kitchen demands the most of its designer. It must be beautiful and functional, effortless to use and a pleasure to be in, designed for the way a family actually lives - not just the way a room is meant to look. At Plan Homes, we treat the kitchen not as a fitment to be specified, but as the most consequential room in the house.

The roofline is flat and emphatic - a clean dark fascia that cuts across the sky and gives the house its horizontal, grounded silhouette.

What they share is a refusal to treat aesthetics and practicality as opposing values. The most beautiful kitchen is the one that works best for the people inside it. Form and function, in our work, are the same conversation.

What they share is a refusal to treat aesthetics and practicality as opposing values. The most beautiful kitchen is the one that works best for the people inside it. Form and function, in our work, are the same conversation.

Where we are most particular - and where clients most often tell us they feel the difference - is in the execution. A kitchen design is only as good as the millimeter precision of its joinery, the flatness of its shutters, the smoothness of its drawer mechanisms, the concealment of its wiring, and the calibration of its lighting. These are not finishing touches. They are the substance of the design itself. We are present on site through every stage of kitchen installation - because we know that a kitchen built carelessly, however beautifully conceived, will be felt every single day.

In Motion - a facility designed as a single continuous experience of movement: from the moment you arrive, the architecture accelerates you forward, the brand runs alongside you, and the space never lets you stand still

The design takes its cues directly from Fitso's visual identity - the bold red chevron, the forward arrow, the kinetic energy of a brand built around competitive sport. Rather than applying the brand as a graphic overlay, the architecture absorbs it. Red slashes through white corridors as structural colour. Chevron signage becomes wayfinding sculpture. The locker rooms and circulation spines are as considered in their design as the courts themselves - because at Fitso, performance begins before you step onto the court.

The roofline is flat and emphatic - a clean dark fascia that cuts across the sky and gives the house its horizontal, grounded silhouette.

At the heart of the facility are the badminton courts - a vast, column-free hall with a dark ceiling that focuses the eye downward onto the vibrant playing surface below. Professional lighting, acoustic treatment, and a clear spatial hierarchy between player and spectator make this a space built for serious sport. Around it, the campus unfolds: changing facilities, reception lounges, outdoor landscape, and parking - each zone connected by a branded circulation spine that keeps the Fitso identity alive from entry to exit.

The Fitso facility is the largest project in the Plan Homes portfolio by footprint, and one of the most demanding in terms of brief - balancing the requirements of professional sport, high-footfall public access, and a powerful consumer brand identity. It demonstrates that architecture for fitness is not a category apart, but a discipline that demands the same rigour, creativity, and attention to experience as any other building type.

The Woven Wall - a façade that translates the ancient craft of Rajasthani textile weaving into architecture: terracotta and charcoal bricks laid in a shifting chequerboard that ripples like cloth in the wind, turning a simple enclosure into a monumental act of making.

The building's most arresting feature is its façade - a vast, unbroken field of hand laid brick in alternating terracotta and dark blue-grey, arranged in an interlocking pattern that reads from a distance as a woven textile. The geometry tightens and loosens as the eye moves across it, creating a visual rhythm that is both ancient and contemporary. In Rajasthan, a land defined by its artisans and its ochre earth, this is architecture that speaks the local language fluently.

The entrance is a monumental arched gateway carved directly from the woven wall- a void that draws visitors through with the gravity of a fort's darwaza. Beyond it, the forecourt opens onto a ceremonial landscape of considered formality:

a long reflective pool flanked by trimmed lawns, and at its foot, an intricately patterned parterre garden whose geometry echoes the lattice work of Rajasthani jali screens.

The landscape masterplan reinforces the building's civic ambition. Curving tree-lined paths wrap the perimeter, the arched green tunnel walkways along the flanks offer a shaded processional journey, and the entire site is oriented to make arrival itself a considered experience - from gate to garden to hall.

The Alwar Convention Centre is architecture that knows where it comes from. It carries the memory of Rajasthan's craft traditions in its very fabric, while presenting a face that is uncompromisingly of the present.

Inspired by the timeless charm of Italy's intimate dining culture, this restaurant is envisioned as a luxurious yet welcoming escape where architecture, lighting, and materiality come together to create an immersive culinary experience. The design blends classic European elegance with contemporary sophistication, offering guests a space that feels both grand and deeply personal.

The entrance façade sets the tone with its striking arched portal, ornate wrought-iron detailing, and Mediterranean-inspired textures that evoke the romance of old-world Italian streets. Framed by olive planters and warm ambient lighting, the arrival experience is designed to feel inviting, refined, and memorable.

Inside, the interiors celebrate rich layers of warmth and texture. Exposed brick walls, antique-inspired mirrors, marble tabletops, and handcrafted wooden ceilings create an atmosphere rooted in authenticity and craftsmanship.

Plush leather banquettes and woven cane chairs add comfort and character, while soft golden lighting enhances the intimate dining mood.

A key design feature is the thoughtful placement of oversized antique mirrors throughout the space. Beyond adding visual drama, these mirrors amplify light and create a sense of openness, making the restaurant feel expansive while maintaining its cozy ambiance. Cascading greenery and curated vintage artwork further enrich the sensory experience, bringing together the essence of Italian luxury and urban sophistication.

The overall concept is designed to transport guests into a refined Italian dining retreat - a space where every detail, from the glow of the pendant lights to the texture of the materials, contributes to a timeless atmosphere of warmth, elegance, and indulgence.

Curated Wilderness - a landscape that looks effortlessly natural but is meticulously composed: every tree placed, every level considered, every sound of water deliberate.

The design is organized around a strong axial spine that draws the eye from the entrance court through layered planting toward the architecture beyond. Broad concrete platforms step gently down through the garden, creating a series of distinct outdoor rooms -each with its own character, its own planting palette, its own moment of pause.

At the heart of the composition is water - not as spectacle, but as a quiet presence. A dark-edged rill runs along the lower terrace, fed by a clean sheet waterfall that spills from the upper level with understated elegance. The sound of falling water filters through the entire garden, making the landscape as much an experience of sound as of sight.

The planting is the soul of the design. Large, canopied trees - frangipani, fig, and flowering cherry - are positioned to create dappled shade and seasonal colour. Ground-level planting mixes ornamental grasses, agave, and soft-leafed shrubs in a palette that feels simultaneously wild and considered. A timber-clad garden pavilion anchors the far end, offering a sheltered retreat that connects to both the house and the outdoors without belonging entirely to either.

Across 10,000 sq.ft., this farmhouse landscape achieves something rare in private garden design - the sensation of entering a world apart. It is a place that rewards slowness, that changes with the light, and that will only grow richer with each passing season.

Perched on a densely forested hillside in Thekkady, one of Kerala's most ecologically rich corridors, the Wild Corridor Resort is a project defined above all by restraint - the discipline of building within a landscape without diminishing it. Spread across 1,20,000 sq.ft. of sloping terrain, the resort rises through the tree canopy in a series of terraced blocks that seem less constructed than discovered, as if the forest had simply grown around them.

Hidden in Plain Sight - a resort that does not announce itself but reveals itself gradually, tucked into the hillside so that guests feel they have found something the forest was keeping for them.

The architecture speaks the language of the Western Ghats - terracotta tiled roofs that shed the monsoon with ease, warm ochre and burnt sienna plaster walls that mirror the earth tones of the forest floor, and deep-shaded balconies that frame the valley below like living paintings.

The buildings are staggered along the contour lines of the hill, each block stepping up and back so that no structure blocks another's view, and every guest room wakes to an uninterrupted horizon of green.

Inside, the rooms open generously toward the landscape. Wide louvred shutters, natural wood joinery, and earthy material palettes ensure the interior never competes with the view beyond. From the open veranda of each room, the Western Ghats stretch out in ridge after ridge - a panorama that shifts its mood with every hour of the day and every passing cloud.

The Wild Corridor Resort is Plan Homes' most ecologically sensitive project -a reminder that the finest hospitality architecture is often the kind that knows when to step back. In Thekkady, where the forest is the destination, the architect's role is to create a threshold: a place from which guests can be fully present in the wild, in comfort, and in wonder.

Open House - a farmhouse designed around the pleasure of arrival and the ease of gathering: wide courts, open thresholds, and interiors that feel lived-in from the very first day

The exterior sets the tone immediately. A broad, patterned cobblestone forecourt stretches the full width of the property - generous enough for multiple cars, grand enough to feel ceremonial, yet warm enough in its terracotta and cream tones to never feel institutional. A cantilevered gate of ornate brass-finished metalwork marks the entrance with quiet distinction. The house itself is composed in a clean contemporary idiom: crisp cream plaster volumes, dark wood cladding on the upper floor, and flat rooflines broken by a single pitched gable - a farmhouse gesture that anchors the composition to its setting.

The covered car porch - a wide, column-supported canopy connecting the two wings - creates a sheltered transition between outside and in, a space that functions as both practical arrival and informal gathering point.

Around the house, a manicured garden with trimmed topiary, lawn, and flowering beds completes the picture of a family home at ease with itself.

Inside, the interiors are warm and layered. Soft neutral tones- cream, taupe, muted gold - form the backdrop for richly upholstered seating, brass accents, and carefully chosen art. The living spaces are generous in proportion but human in scale, designed for the full range of family life: quiet evenings, large gatherings, and everything between.

The Tanwar Farmhouse is one of Plan Homes' most complete residential statements - a project where architecture, landscape, and interiors were designed together to create a unified whole. It stands in Chattarpur as a home that has clearly been made with care, for people who know the difference.

An interior is not finished when the last piece of furniture is placed. It is finished when the person standing inside it feels, without being able to explain why, that they are exactly where they are supposed to be. That is the standard we hold ourselves to - and it is the standard every room we design is measured against.

We don't decorate spaces. We build the inner life of a building - layer by layer, material by material, light source by light source - until the room has a character so complete it feels as though it could not have existed any other way.

Every interior project we undertake begins long before a single piece of furniture is selected. It begins with listening - to the client, to the architecture, to the way light moves through the space at different hours of the day. From a moody, amber-lit lounge panelled in dark wood and leather, to a luminous drawing room in pale linen and hand-painted wallpaper; from a dramatic display wall of backlit hexagonal shelving to a serene master bath shimmering in gold mosaic - each space we design is a direct response to the people who will live and move within it.

The breadth of our interior work reflects a deliberate refusal to have a signature style. We do not impose a visual language onto every project. Instead, we develop a language specific to each one. Our role is to understand what a client is reaching for - sometimes before they can articulate it themselves - and then bring that aspiration into physical form with precision and care.

Where our process is perhaps most visible is at the point of execution. A beautiful concept delivered poorly is a diminished thing. We remain closely involved through every stage of installation - overseeing joinery, lighting placement, material finishes, soft furnishings, and the hundred small decisions that determine whether a room merely looks good in a photograph or genuinely feels good to be inside. The difference between the two is always in the details, and the details are always where we choose to linger.